Antifeyerabend (for Paul Feyerabend)
[1994]

Antifeyerabend

Three oversized flags are blowing in an artificial wind. Their neutral, white surfaces become projection screens for a montage of national emblems and imagery, which are thus transformed into ideological symbols. The video projections constantly change the flags' emblematic meaning. Black walls and ceilings suspend the perception of the exhibition space. So far, Antifeyerabend is Günther's last work with flags in a series he began in 1990 (on the occasion of the Gulf War). The series visualized the collision of power blocks and the political constellations of the moment.

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